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Bixler-2 FPV - close calls and a prang

  • Posted on: 24 December 2013
  • By: agittins

Another windy day about a month ago. This was my first buzz through the trees near the shed which I have to say was pretty pucker-worthy at the time. The landing was at nearly zero landspeed - who needs flaps when you have a 30 knot headwind? Also a pretty ordinary attempt at the top two trees, followed by an excellent case study of "Target Fixation". I've since had a good run or two through two-trees so feel somewhat redeemed :-)

New Old Track: The Day You Went Away (warning: vocals!)

  • Posted on: 7 June 2008
  • By: agittins
A cover of Wendy Matthews' early-90's song. First track with vocals - don't know if that's a good or bad thing (the first note is not a good thing)! I actually recorded this in July/August last year, my reservations about the vocal have stopped me putting it up, so I decided I'd best just suck it up, post it and learn from it. And yeah, I do think (the original) is a great song - if that means I have to hand in my bloke-card, so be it. At least it's not a Celine Dion track! :-)

New Track: Charon's Challenge

  • Posted on: 7 June 2008
  • By: agittins
Charon's Challenge is a piece I threw together for the ABC's Orpheus Remix Project, which asked people to submit a statement on Opera in it's 400th year and on the work of L'Orfeo, one of the first operatic works known. The ABC provided a collection of samples from Pinchgut Opera's 2004 performance of L'orfeo, of which at least one was to be used in the 4 minute remix. My submission didn't rate a mention in the final show but it was an interesting challenge to work in the samples into a bigger work - something I hadn't actually ever tried before. I used a male vocal sample which had a small violin riff in it as well, and a sample from Euridice's part. The rest is original material, with an improvised two-part call and response between Charon and Orpheus, some strings and synth choir backing and light percussion courtesy of the excellent Hydrogen application. Dianne pointed out that the clean guitar track (apart from having some bum notes) was very Pink Floyd-ish - I'll take that as a compliment but it might mean I am copying David Gilmour's favourite riffs more than working on my own. Food for thought. Comments welcome.